Johnathan Blake and Pentad
featuring Immanuel Wilkins, Steve Nelson, David Virelles, Ben Street

Johnathan Blake’s debut release on Blue Note Records signals shifting tides for a career that’s yet to crest. The drummer, composer, and progressive bandleader continually refines and renews an expression bonded to the lineage of Black music that fluoresces across Homeward Bound. Warmth of phrasing abounds as Blake layers a sound that’s at once relaxed and urgent. Alongside an innate ride cymbal, his melodic treatment of the drum kit reflects a generations old understanding of the instrument and allows his compositions to engage the myriad artists who bring them life.

Heralded by NPR Music as “the ultimate modernist,” the Philadelphia-raised artist has collaborated with Pharoah Sanders, Ravi Coltrane, Tom Harrell, Hans Glawischnig, Avishai Cohen, Donny McCaslin, Linda May Han Oh, Jaleel Shaw, Chris Potter, Maria Schneider, Alex Sipiagin, Kris Davis and countless other distinctive voices. DownBeat once wrote, “It’s a testament to Blake’s abilities that he makes his presence felt in any context.” A frequent presence on Blue Note records over the past several years, Blake has contributed his strong, limber pulse and airy precision to multiple leader releases from Blue Note artists including Dr. Lonnie Smith’s Breathe (2021), All in My Mind (2018) and Evolution (2016) and Kenny Barron’s Concentric Circles (2018), the latter whose trio Blake has been a vital member for nearly 15 years.

Homeward Bound features Blake’s band Pentad, a quintet of musicians whose expressions inhabit that mystery of time and space. Pentad’s core trio is comprised of longtime collaborator and friend Dezron Douglas whose strong yet reflexive bass presence saturates each track, and acclaimed Cuban-born keyboardist David Virelles on piano, Rhodes and Minimoog. Blake’s Blue Note label mates Immanuel Wilkins and Joel Ross complete the multigenerational quintet on alto saxophone and vibraphone. Though distinct in their expressions, the rising star artists share a cooperative quality intrinsic to their improvising.

“The name represents us as five individuals coming together for a common cause: trying to make the most honest music as possible,” says Blake who assembled the band with the intention of composing for a fuller, more explicit chordal sound than his past projects have featured. The result is a wildly intuitive, tight sound that embraces spontaneity and relies on trust.

“I think the sound also comes from years of Dezron and David and me playing together, and the whole history of Immanuel and me knowing each other from the Philly days, and then Immanuel’s hookup with Joel.” Even Blake and Ross had their own hookup going before forming Pentad from a Jazz Gallery commission the leader received several years earlier. “There’s a bit of history with everybody in the group, so when we come to play together, it’s a unique band sound.”

Opening with a tender foundational gesture from Douglas, the album’s title track celebrates the short effervescent life of Ana Grace Marquez-Greene. Daughter of saxophonist Jimmy Greene and flautist Nelba Marquez-Greene, Ana Grace perished in the Sandy Hook tragedy nearly a decade ago. For Blake, who recalls the moment of her birth, Ana Grace’s time on earth resonates. “When little Ana was born, I remember what a blessing she was,” says Blake, who was on the road with Greene at the time in Tom Harrell’s band. “She had such a lively presence. So when I heard she’d been taken away, it affected me and I started writing this tune.”